For Simon Morris: His Name Means First And Last. Following 'THE COLOSSALIST' and 'THE GREAT IMMUREMENT' and continuing the death-life commitment to their grave loss, VUKOVAR's final step in their obsessive memorial device to Simon Morris is 'THE BODY ABDICATOR'. With the last twitches of the NeuPopAct, the perpetually reorganizing group have collided and colluded to now present their 10th LP and final part of the Eternity Ends Here triptych; the most ambitious thing attempted by the group and the most wrapped in turmoil. Joined by Gea Philes, this is a metaphysical and esoteric wasteland disguised as a pop album.

Lost and found album, recorded at Lights Studio Brussels in 1988

No New Dawn is a post-industrial minimal synth project with a Black Metal background based in Detroit by J. Czarn. Beginning in 2016, the first full-length album "Double Dream" was finished in 2018. No New Dawn's illumination of modern bleakness and struggle contrasted with intervals of meditative and reflective clarity provide a fitting backdrop to the cold soundscape captured on this album. The project's music uses a mix of analog, midi, sampling and live recording methods to achieve an often cavernous electronic and vocal sound. "Double Dream" also exhibits a shift in focus throughout the album from conventional song structures to loose and ambient instrumental compositions. J. Czarn is a multi-instrumentalist and artist affiliated with the One void art collective. Absolutely must-have for fans of the early 80s synth scene (Gary Numan, The Human League, Clock DVA, John Foxx or Second Decay), Cold Cave, early Lust For Youth, November Növelet, late Haus Arafna, Martial Canterel

Darkwave with dirt and dampness of punk and early industrial in the retro way of Fad Gadget, Cabaret Voltaire, DAF, and Gary Numan

Follow up to their critically acclaimed second album Rosary (released on 2nd July 2007), Sanctuary continues were Rosary stopped. On this release the duo pass from synth-pop tunes of the first releases to more dark and meditative structures. Swirling post-punk guitars, repetitive synthetic drums and dissonant indefinable noises. Jean-Marc's powerful voice sounds as it was recorded from a long distance and adds an almost choral quality to the music. Minimal hypnotic obsessive sounds both frightening and sacred. Like standing in thick fog in front of the gates of eternity. And in this fog you can meet the ghosts of The Wire, Joy Division, Swans and Cindytalk among others.