Olga Voskonyan ist Musikerin, Komponistin, Performerin des berühmten Retro-Hits "Cars" sowie Autorin und Performerin von Hits, ohne die keines ihrer Konzerte "Golden Hoop" und "Purple Dress" aus dem Album 2020-2021 "Coloured Dreams" auskommt. Im Juni 2019 versucht Olga, Texte zur Musik von Oleg Parastaev zu schreiben, einem berühmten Komponisten und Musiker, Autor des berühmten Liedes "At Dawn" der Alliance-Gruppe sowie einer Reihe anderer berühmter Lieder. Im Studio "Electric Records" wird mit Hilfe von Alexander Wladimirowitsch Jakowlew (BIO-Gruppe) der erste Song "Stop" aufgenommen. Die Erfahrung erwies sich als erfolgreich, und Oleg Parastaev selbst ist seiner Meinung nach einfach begeistert von dem, was er gehört hat, und hat das Lied die ganze Nacht gespielt. Dies inspirierte Olga, ihre Arbeit fortzusetzen. Es wurde beschlossen, ein ganzes Album mit Liedern zur Musik von Oleg Parastaev aufzunehmen. Das Album "Love is Right" ist das Ergebnis von drei Jahren gemeinsamer Arbeit. Leider haben Olga und Alexander diese Arbeit ohne Oleg fortgesetzt... Wir widmen dieses Album seinem Andenken.

The author makes an attempt to classify galaxies not only by their appearance, but also by their sound in his mental field, as well as by the level of perception of terrestrial electronic musicians, who in such experiments achieved the greatest approximation in the Ambient Dub style. The depth and serenity of this direction most accurately reflects the universal scale of the studied space objects.

The author makes an attempt to classify galaxies not only by their appearance, but also by their sound in his mental field, as well as by the level of perception of terrestrial electronic musicians, who in such experiments achieved the greatest approximation in the Ambient Dub style. The depth and serenity of this direction most accurately reflects the universal scale of the studied space objects.

The author makes an attempt to classify galaxies not only by their appearance, but also by their sound in his mental field, as well as by the level of perception of terrestrial electronic musicians, who in such experiments achieved the greatest approximation in the Ambient Dub style. The depth and serenity of this direction most accurately reflects the universal scale of the studied space objects.

The author makes an attempt to classify galaxies not only by their appearance, but also by their sound in his mental field, as well as by the level of perception of terrestrial electronic musicians, who in such experiments achieved the greatest approximation in the Ambient Dub style. The depth and serenity of this direction most accurately reflects the universal scale of the studied space objects.